PROGRAM
2002
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FEBUARY 6 - MARCH 2
TINA LEE
works sculpted from bronze and clay reflecting
on humanity's tendency to to seek security through built structures.
works that capture the feeling of renewel that one experiences when walking in a landsape after a storm has just broken.
MARCH 6 - MARCH 30
VIRGINIA KAISER
exquisite baskets and vessels woven from natural
materials such as date-palm stalks, palm hair, pine needles and paperbark.
DOROTHY
ERICKSON
kinetic jewellery crafted from steel, gold and
various stones, incorporating the wearer as part of the artwork.
APRIL 3 - APRIL 27
CONTEMPORARY PHOTOGRAPHERS
JANINA GREEN [profiled artist]
/ JANE BURTON / DAVID STEPHENSON /
SUSAN PURDY / GAYLE SLATER /
HARRY NANKIN [profiled artist] / POLIXENI
PAPAPETROU / PIETRO CAPOGRECO /
VIKI PETHERBRIDGE / CHRIS KÔLLER
MAY 1 - MAY 25
BASIL HADLEY –
LANDSCAPE
eclectic and intensely coloured landscapes which
utilise patterning of repeated markings.
NORMAN
BAGGALEY
paintings responding to the ways in which human
activity has affected the Australian landscape.
MAY 29 - JUNE 22
FILOMENA COPPOLA [profiled
artist]
drawings in ink, and pastel, symbolising the
representation of opposites and their interaction with each other.
STEFAN GEVERS
abstract translations of the human form focussed
on human authority, class system and culture.
JUNE 26 - JULY 20
GIUSEPPE RANERI
figurative imagery, both painterly and sculptural
in the ceramic medium exploring the mystery of the human condition.
ERIKA
GOFTON [profiled artist]
detailed paitings examining the visual distinction
of everyday objects.
AUGUST 17 - SEPTEMBER 21
LISA YOUNG
sculptures based on repeating motifs that sit
lightly upon a landscape.
LINDA
JUDGE [profiled artist]
monochromatic works achieving a subtle, illusionic
interplay between positive and negative.
SEPTEMBER 25 - OCTOBER 19
HARRY NANKIN [profiled
artist]
a photographic body of work which deals with
loss, history and memory.
SIMON
MEE
carefully depicted arrangements of dolls and
childrens toys to appear as actors within the work.
OCTOBER 23 - NOVEMBER 16
DAVID MILNE [profiled
artist]
"post painterly abstractions" based
on multi-layered geometry.
IAN
McINTOSH
paintings and drawings as response to life in
vietnamese culture seen through australian eyes.
NOVEMBER 20 - DECEMBER 14
DAVID HARLEY [profiled
artist]
Harley allows the pixelation effect - where the
image breaks down into digital components - to signal the process of creation.
The relationship of the work to abstraction becomes a visual connection
more profound than any other, and it's connection to painting is equally
illusory.
TERRY
TAYLOR
Taylor presents multiple images or collectives
of various representations, thoughts, patterns, forms, shapes, and movements.
